Hi, I'm Carrie! I'm an actress and performer with specialties in musical theatre and disability-centric dance. Currently, I'm studying multidisciplinary arts at NYU Tisch with a passion for preaching kindness, integrity, and liberation through all types of stories. In addition to my work in theater, I have been working as a screenwriter, choreographer, director for stage and screen, independent filmmaker, and music producer and singer/songwriter.
I'm a disabled performer (I have Charcot Marie Tooth Disease and POTS) and strive to use the unique gifts and skills my disability gives me to create more compelling art, turn pain into beauty, and promote understanding by repurposing.
When I'm not creating, I love learning languages and playing video games.
Sand is my worst enemy.
Carrie Jean is a 20-year-old NYC based creator, currently studying Collaborative Arts at NYU Tisch. Though her background lies extensively in Musical Theater training with Adventure Theatre MTC Academy's Pre-Professional Musical Theatre Conservatory Program, she works across many media with a passion for telling true and liberating stories above all else.
Carrie has trained in ballet, jazz, and tap with Tony Thomas, where she learned adaptive techniques to integrate physical disability and dance into a new and compelling experience, which she has carried over into more recent contemporary dance studies with Pat Hoffbauer at NYU Tisch. She has received improv and Shakespeare training with HST Cultural Arts, voice training with Vocal Studio of Joan McFarland (among others), and has studied acting with Mary Bitel, John Martin, Fritz Ertl, and a list of others who have all left a distinct impact on her technique and heart.
Recently, she has acted in a staged reading of Joel Bailey's play "Rolling With The Punches," via Theatre Resources Unlimited, starred in her own short "AWOL," and had the privilege of background acting on "Zero Day" with Rob DeNiro. She has worked as a Summer Teaching Artist, directing and choreographing musicals with Adventure Theatre MTC, taking what she learned from that experience to grow as a director of her own works.
Carrie is a singer/songwriter, musician, and music producer, having performed at the Kennedy Center and Rockwood Music Hall. She has released three music albums, with the latter two being entirely self-mixed and self-produced: Party of One (2022), Fantasy Land (2023), atrocities (2024). She directed and wrote her music video for "Dallas Home," the lead single on Fantasy Land, and served as DP, gaffer, and editor.
She is a self-published author, having released her poem book "Things To Say/Things To Feel" in Spring of 2024, and an independent screenwriter, having written for her student shorts "AWOL" and "Lemon Sorbet." Her short script "Becoming Slender" was selected as a quarterfinalist for the 2024 Final Draft Big Break Screenwriting Contest and her TV pilot "Scraps" received an honorable mention in the 2024 BAFF awards.
Including her own two shorts, "AWOL" and "Lemon Sorbet," Carrie has worked on a number of student films as director, writer, DP, gaffer, and editor. Credits available in CV.
I knew I wanted to spend my life acting since I was five years old. I grew up constantly playing pretend, writing stories and songs, and furthering my craft with various local acting, singing, and dance programs. However, after a Muscular Dystrophy diagnosis at the age of 7, acting became more than a just hobby. It started as an escape, a release of my frustrations dealing with an uncooperative body. Writing a story was not merely enough---I wanted to live it. I walked out of my body and into that of whomever I was playing, learning to see myself as them, to bring all aspects of myself BUT my disability into my work.
I fell into Shakespeare through my love of over the top drama, and then into musical theatre (where I have since remained), in awe of the ability to combine acting, singing, and dance into one. It was with Adventure Theatre MTC's phenomenal pre-professional program that I learned to embrace my disability as a part of myself. Dance is a beautiful thing---creating something out of our bodies---and something I had felt very disconnected from. I felt like I didn't deserve to love my disability, my body, because of a society that so frequently failed to hear my struggle.
It was then that I found my real calling: to become a voice for everyone else who has ever felt this way.
I have continued performing onstage, owning my adapted dance style, and striving to bring disability into each role as a strength and an asset---and have seriously advanced my technique writing stories and songs. I strive to create something new and interdisciplinary, rooted in disability, blossoming into an empire of unheard voices. An empire of strength, driven by the one greatest strength we all have and fail to acknowledge as such:
WEAKNESS.
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